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William Blake
JOB'S SACRIFICE, no. 18
Illustrations for the Book of Job, 1825
Line engraving
Gift of Donald L. Karshan and Maurie Lee Harding in Memory of Louis and Florence Harding
A Test of Faith: William Blake’s Illustrations for the Book of Job
February 6–May 30, 2010

One of Britain’s most significant artists, William Blake (1757–1827) is celebrated for his remarkable ability to combine text and images to express his vision. God and Christianity comprised the intellectual focus of his writings, which served as his inspiration for his art. In 1805, Blake created a set of watercolors illustrating the Book of Job for his patron Thomas Butts. A second set was made around 1821 for the artist John Linnell, a close friend and supporter of Blake. Linnell commissioned the engravings around 1823, and unlike the watercolors, the engravings incorporate Blake’s handwritten passages from the Book of Job that embellish the margins and emphasize the individuality of Blake’s interpretation. The biblical story of Job’s undying faith in God, despite being subjected to extraordinary suffering, is re-invented by Blake-Job is portrayed as a man living by the letter of God’s laws and not the true spirit of faith. The images are multifaceted, and a visual transformation occurs as the series progresses. The torment endured by Job directs him from a position of innocence, to a state of experience, and finally to a spiritual recognition of God’s living presence. This set of engravings is considered one of Blake’s greatest works. The set owned by the Museum is from a second printing (in 1874) of the 1823 engravings.
WINSLOW HOMER
American (1836–1910)
SNAP THE WHIP (detail), 1873
Wood engraving on paper
Gift of David S. Hendrick III in honor of
Jennifer Hardin     2000.27

The Art of American Life:
Winslow Homer’s Graphics (1857–1877)

February 6–May 30, 2010
 Winslow Homer (1836–1910) is one of America’s most beloved artists, and his art captures the heart of the American spirit.  The Art of American Life celebrates Homer’s creative output in the medium of reportage and illustration with over 40 prints installed in the Museum’s gallery devoted to works on paper.  Some of his most famous images are included: the civil war-era wood engraving A Sharpshooter on Picket Duty, created for Harper’s Weekly when Homer served as a war correspondent; Homeward Bound made on Homer’s voyage across the Atlantic; the dynamic and iconic composition Snap the Whip, which corresponds to his famous painting; and On the Bluff at Long Branch, at the Bathing Hour, artfully documenting the newly monied seeking leisure on the Jersey coastline.  Also featured is his earliest image produced in 1857 for Ballou’s Pictorial of Boston, as well as a handful of his later graphics that served as illustrations to accompany literary works, including Alfred Lord Tennyson’s poetry.  Dramatic scenes of the Civil War, touching images of childhood, tranquil views of country life, and scenes of urban social activities, all converge to create a visually engaging and historically meaningful exhibition that reflects our national past.  These prints give voice to one of America’s greatest artists who, through the medium of illustrated magazines and books, reached a wide audience of readers and viewers relative to those who saw his paintings and watercolors in person.  The exhibition is drawn from an extensive group collection of over 125 wood engravings in the Museum’s collection that has not been on view in nearly ten years.

James McNeill Whistler
American (1834–1903)
Bibi Valentin, 1859
Etching on paper
Gift of Yvonne B. Edmonds  2008.19.2
Whistler, Hassam, and the Etching Revival
April 17–August 15, 2010

The Etching Revival (1850–1930) occurred in reaction to lithography, wood engraving, and steel engraving that dominated graphic output at this time.  Etching was seen as less industrial and more creative, fitting for the modern painter’s efforts.  James McNeill Whistler numbered among a small group of artists who revived the seventeenth-century art of etching in the 1850s.  His etchings were instantly praised for their innovative qualities, and his experimentation with line. Childe Hassam, known for his tranquil portrayals of Long Island, captured the essence of Impressionism in his etchings.  He embraced light and shadow, creating landscapes that expressed an awareness of time and place with an elegant, intimate quality.  This exhibition, through generous loans and the Museum’s holdings of prints, will expand an understanding of this highly complex and cosmopolitan period when painters put down their brushes to pick up the etching needle.  Artists include Whistler, Hassam, Anders Zorn, James Ensor, and Joseph Pennell.
 
Please Note: Additional exhibitions are in the development stage. Exhibitions may be subject to change.
 
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